Luna Li is more than a musical project. It’s a world unto itself, and a kingdom of its creator’s making. For the Korean-Canadian, Toronto-based multi-instrumentalist songwriter, composer, and producer Hannah Bussiere Kim, the universe of Luna Li is hyperlush and inclusive by design. It’s an evolving, musical transmission that takes its cues from nature’s healing properties to explore vulnerability and identity. A blend of indie rock and psych; where experimental neoclassical morphs into pristine pop, Luna Li is the sound of an everyday symphony, crafted from the perspective of the female gaze.

When the pandemic started, Li started self-recording instrumental interludes as a radical form of care. By letting others into spontaneous moments of creation, she made her process transparent and communal. Her self-recorded “jams” — video snippets of her constructing beats piecemeal — went viral many times over, racking up over 8 million streams and producing a fiercely loyal following. Its resulting self-titled EP garnered widespread acclaim (“Why aren’t people queuing up to buy beats from this person?,” asked The Needle Drop’s Anthony Fantano.) and led to coverage in Fashion, Paper Magazine, i-D and a slot opening for Japanese Breakfast. In 2021 Li performed on the main stage of 88rising’s “Head In The Clouds” festival, and in 2022 was selected as one of NME’s Top 100 Emerging Artists.

Photo: John Liwag & Skylar Steinberg

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